Monsters, Inc., Disney.

Monsters, Inc., Disney/

Pixar demonic programming for kids.

At the start of the film we find monsters in training to scare children in order to harvest their screams. The founder of Monsters, Inc. is Mr. Waternoose; he explains to the recruits,

“without their screams, we have no power.”

The screams of children power the monster world. In other words, our fear gives the power. Waternoose says,

“There’s nothing more toxic or deadly than a human child.’'

This is a nice message for a children’s movie.

The monster protagonists are the scare team Mike and Sully. Together they are a deconstructed representation of the Cyclops giants.

They work at the Monsters, Inc. factory, the symbol for which is a circled M with an eye.

The Monster symbol is repeated constantly throughout the film serving as a hypnotic anchor for the film’s themes.

The symbol has 3 parts. An M, representing the pyramid, an eye, and a sun symbol.

The circled dot is an ancient Egyptian symbol for the sun.

The Monsters, Inc. logo contains the same 3 parts as the “illuminati” symbol. When the symbol is repeated in society, the programming of the films is strengthened in the viewer’s mind.

The main propaganda theme of the film is the acceptance of these spiritual entities, the enlightened ones.

The monsters enter the factory for work. Notice the clock: the monsters enter at 9:55, or 9-11.

The doors are brought to the scare floor. These doors lead to children’s bedrooms.

These doors are actually interdimensional portals between the “monster” world and the human world. These funny and cute monsters are really demons in disguise.

A toxic human child accidentally enters the monster world.

This human crossover is treated like an alien arrival by the monster press.

Sully and Mike disguise the girl as a monster and sneak her into the factory to return her to her world.

Back in the factory, they discover a plan to kidnap (abduct) children and subject them to the

“scream extractor”.

Sully and Mike are then exiled to the Himalayas in the human world. This is an allusion to the high mountains being where the “gods” reside.

Waternoose’s kidnapping ring is exposed and he is arrested by the child detection agency.

Later, the energy harvesting continues.

Only now they are making the children laugh rather than scream. The monsters are still entering children’s bedrooms at night, but by switching from fear to laughter it seems like a happy ending.

The monsters energy harvesting is now a big party. The child viewer’s perspective has shifted:

The interdimensional entities are no longer feared, but welcomed.